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National Anthem, by Kevin Prufer
Download PDF National Anthem, by Kevin Prufer
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The poems in National Anthem, the fourth collection of poetry from critically-acclaimed poet and critic Kevin Prufer, are finely-studied short films about America in the 21st century. Set in an apocalyptic and post-apocalyptic world that is disturbing because it is uncannily familiar, National Anthem chronicles the aftermath of the failure of imperial vision. Allowing Rome and America to bleed into one another, Prufer masterfully weaves the threads of history into an anthem that is as intimate as it is far-reaching.
- Sales Rank: #1472691 in Books
- Brand: Brand: Four Way
- Published on: 2008-04-30
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .28" w x 6.03" l, .32 pounds
- Binding: Paperback
- 80 pages
- Used Book in Good Condition
From Publishers Weekly
Starred Review. Anyone with doubts about the place of politics in poetry should have this book thrust in his hands. Prufer (Fallen from a Chariot) makes the political personal and the personal political, all in the service of sinuous, moving free verse. He has a rare gift for bringing the inanimate to life on the page. The American West becomes a drifter on a raft, his chest brown and flecked with hair, and the title poem begins with a shopping center calling out like a lover. Elsewhere, ancient Rome, its empire in slow, steady decline, is found curled on a pew, asleep, a haunting parallel for contemporary America. Poetry—a possible source of salvation?—is a boy locked in a car's trunk, screaming and refusing to die. And there are people in these poems, too: a speaker who writes love notes he describes as empty and vaguely/ sad. Dead children, soldiers and those left behind in an evacuation speak and are spoken about. An absurdly large parachute falls over a suburb, and the speaker writes letters to his lover while trying to find his way out from under it. Near the end of the book, Prufer writes, I don't know what to do/ with the doomed, the chilled over and gone,/ but drink until my fingers become twigs. This powerful collection, Prufer's fourth, is an ongoing elegy for a dark time in American history(Feb.)
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Review
"Anyone with doubts about the place of politics in poetry should have this book thrust in his hands. Prufer (*Fallen from a Chariot*) makes the political personal and the personal political, all in the service of sinuous, moving free verse. He has a rare gift for bringing the inanimate to life on the page...This powerful collection, Prufer's fourth, is an ongoing elegy for a dark time in American history."—Publishers Weekly
"The America of Prufer's fourth collection is an empire in decline, a medicated landscape ("snow / like little tranquilizers all over the yard") peopled by pilgrims to shopping malls. The book opens with a panoramic vision of the aftermath of apocalypse--"expired" cars, silenced TVs, coffins "unmoored and happy with the storm"--but ends intimately, with a child's memory of his first encounter with death; the thin wire between political failure and personal grief runs taut throughout. In the eerie centerpiece poem, the suburbs are sealed under an enormous parachute, its nylon shimmering; icicles line the seams and crash into the streets, and the narrator walks for days, never finding the edge."—New Yorker
*Verdict:* This book is dedicated to the poet's father and traces, movingly, that tenuous connection. Recommended for contemporary poetry collections. *Background:* The author of four books of poetry (e.g., *Fallen from a Chariot*) and coeditor of the important anthology *New European Poets*, Prufer here continues to grapple with human suffering, smudging the border between real and surreal in a kind of imagined poetry of witness: two strangers comb a ravaged war site in search of food, a man who personifies the American West sleeps on a raft, Caesars fill the hospital beds. In the title poem, the speaker waits in a parking lot while his companion finishes shopping: "What was the body but a vessel, and what was the store but another,/ larger vessel?" Often, things are inside of other things: a body inside a car trunk or a man beneath a spread parachute that covers an entire neighborhood. At the core is a boy's fear of the unknown: "My brother cried at dinner when he learned/ one day he would die. I picked at my food/ and wanted to be a chip on the wall/ or a spot that would not wash away."—Ellen Kaufman, Dewey & LeBoeuf Law Lib., New York, Library Journal
Review
“Kevin Prufer has courage and compassion. And he places words so beautiful and accurate and terrifying along a line you can’t help but read to the end…” (Marie Howe)
Most helpful customer reviews
5 of 5 people found the following review helpful.
Impressive
By Steve Gehrke
I read a lot of contemporary poetry this year, and this was really one of the best books I read. While there's a lot of poets writing about political issues right now, what I like about Prufer's treatment of issues like Iraq, and American consumerism, is that he's able to address these things without slipping into the rhetorical mode. Subtle, musical and full of interesting metaphors and symbols, the book moves between the political and the personal with surprising ease, and really creates a lasting impression. I wish I was being more articulate, but trust me, this is a really interesting book and deserves some attention.
0 of 0 people found the following review helpful.
Skeptic student
By J. Baker
My area of study is medieval and Renaissance literature.I was not interested in any poetry written post 1600 until a graduate workshop in poetry forced me to read this work. Prufer's narrative style of poetry gave me a deeper interest in poetry and prompted me to explore this field more. You will not be disappointed!
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