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Roc the Mic Right: The Language of Hip Hop Culture, by H. Samy Alim
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Complementing a burgeoning area of interest and academic study, Roc the Mic Right explores the central role of language within the Hip Hop Nation (HHN). With its status convincingly argued as the best means by which to read Hip Hop culture, H. Samy Alim then focuses on discursive practices, such as narrative sequencing and ciphers, or lyrical circles of rhymers. Often a marginalized phenomenon, the complexity and creativity of Hip Hop lyrical production is emphasised, whilst Alim works towards the creation of a schema by which to understand its aesthetic.
Using his own ethnographic research, Alim shows how Hip Hop language could be used in an educational context and presents a new approach to the study of the language and culture of the Hip Hop Nation: 'Hiphopography'. The final section of the book, which includes real conversational narratives from Hip Hop artists such as The Wu-Tang Clan and Chuck D, focuses on direct engagement with the language.
A highly accessible and lively work on the most studied and read about language variety in the United States, this book will appeal not only to language and linguistics researchers and students, but holds a genuine appeal to anyone interested in Hip Hop or Black African Language.
- Sales Rank: #900317 in Books
- Published on: 2006-10-18
- Released on: 2006-08-30
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .46" w x 6.14" l, .70 pounds
- Binding: Paperback
- 204 pages
About the Author
H. Samy Alim is a visiting scholar in UCLA's anthropology department and author of You Know My Steez (2004) and co-author of Street Conscious Rap (1999). His research interests include Black Language, global Hip Hop Culture, and the street language, culture, and music of the Muslim world.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Scholar's Ink
By M. Mana
In a deceptively slender book, Roc the Mic addresses weighty and rarely-discussed linguistic aspects of hip hop culture. I've marked up countless pages as I read through the book, bookmarking pages here and there for future reference. It's a superb resource, particularly for those who want to understand and closely examine the language of the most vibrant cultural phenomenon of our current times. Using meticulous linguistic analyses, interviews with artists, case study, and more...Alim uses every strategy at his disposal to define, explain, and even debate thick socio-political, pedagogical, and identity dynamics framed by hip hop language. While some readers might find some views and explications verging on the controversial, in the end, Roc the Mic establishes itself as a foundational volume for serious hip hop linguistic scholarship. If that weren't enough, it also provides room for inquiry questions to develop, thus paving the way for future research. Real talk!
0 of 4 people found the following review helpful.
Some interesting content but an awful read
By C. Price
As someone used to reading academic texts and reading this for academic purposes I really dislike the way this book is written. The author, despite being an academic himself, frequently slips into "hip hop nation language" as opposed to academic prose which I find, not only inappropriate but on occasion, completely unintelligible. In addition to this the author provides pages and pages of quotes from hip hop artists which, in my opinion would have been better placed in an appendix with the author's interpretation or summary of the artist's message in their place. The book does have some interesting and insightful content and the more technical and academic sections are good but I certainly did not enjoy reading it and resented having to wade through much of it in search of useful information.
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