Jumat, 26 Juli 2013

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This book is dedicated to the Soviet Space Dogs, who played a crucial part in the Soviet Space program. These homeless dogs, plucked from the streets of Moscow, were selected because they fitted the program's criteria: weighing no more than 15 pounds, measuring no more than 14 inches in length, robust, photogenic and with a calm temperament. These characteristics enabled the dogs to withstand the extensive training that was needed to prepare them for suborbital, then for orbital, space fights. On 3 November 1957, the dog Laika was the first Earth-born creature to enter space, making her instantly famous around the world. She did not return. Her death, a few hours after launching, transformed her into a legendary symbol of sacrifice. Two further strays, Belka and Strelka, were the first beings to make it back from space, and were swiftly immortalized in children's books and cartoons. Images of the Space Dogs proliferated, reproduced on everyday goods across the Soviet Union: cigarette packets, tins of sweets, badges, stamps and postcards all bore their likenesses. Soviet Space Dogs uses these unique items to illustrate the story (in fact and fiction) of how they became fairytale idols. The first book to document these items, it contains more than 350 images, almost all of which are previously unpublished, and many of which have never been seen before outside Russia. The rich and varied ephemera (from cigarette packets to sweet wrappers and children's toys) of Soviet graphics will have immense appeal to the art and design market, as well as appealing to dog-lovers everywhere.

  • Sales Rank: #319974 in Books
  • Published on: 2014-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.10" h x .90" w x 5.00" l, .98 pounds
  • Binding: Hardcover
  • 240 pages

Review
[A] brilliant book. (Sydney Parker Broadly.com)

Damon Murray, co-founder of FUEL Design and Publishing in London, came up with the idea to put a book together about the true story of these early space explorers. He collected the images; commissioned Dr. Olesya Turkina, a senior research fellow at the Russian Museum, to write the text; and edited, designed, and published the book with his business partner Stephen Sorrell. The resulting Soviet Space Dogs is a gorgeous work of art, containing adorable image after adorable image of the strays recruited against their will to pave the way for the first man is space, Russian cosmonaut Yuri Gagarin, who orbited the Earth in 1961. (Lisa Hix Collectors Weekly)

Remember the tragic tale of Laika, the first Earth-born creature to enter space? A Russian street dog, she journeyed to the moon and never returned. This book compiles the story of Laika and other dogs, and the various Soviet ephemera and graphics that were used to make these brave creatures into heroes of the state for a generation of kids. Stranger than fiction and totally brilliant. (Elisabeth Donnelly flavorwire.com)

The book, an Aladdin’s cave of eye-batting oddments and kitsch curiosities, enchants the reader with some 350 archival photos and images of arcane ephemera. In her Technicolor tour of space-age propaganda and pop culture, Turkina shows just how deeply Laika dug herself into the Soviet imagination. (Tolan Rory LA Review of Books)

There are two reasons I couldn't resist this book. First, I was born on Oct. 5, 1957, one day after the Soviet Union sling-shotted the first satellite, Sputnik, into space. So I'm a true space age baby who grew up obsessed with the Cold War grudge match to reach the moon. Second, I was a kid during the golden age of the half-hour dog drama: television series like "Lassie," "The Adventures of Rin Tin Tin" and "The Littlest Hobo." If there had been a show called "Space Dogs," I would have been planted in front of the screen, tongue contentedly lolling. (Dana Jennings The New York Times)

A new book ― Soviet Space Dogs ― published this month by FUEL collects 350 illustrations of these Russian canines as they were canonized as symbols of the Space Race. Edited by Damon Murray and Stephen Sorrell, with text by Olesya Turkina, the book examines how the mutts were turned from unwitting test subjects into popular heroes. (Allison Meier Hyperallergic)

To this day, the images of the Soviet space dogs have lost none of their aesthetic impact. "It's a weird combination of ideology and dogs," says Murray. (Jake Wallis Simons CNN Style)

Most helpful customer reviews

6 of 6 people found the following review helpful.
Powerful story, great images...a well executed book.
By A. Gara
I've always been fascinated by the stories of Laika and Belka & Strelka, so I really looked forward to this book coming out. The book quality itself is very nice, although the size format is a little odd. All the pop art and everyday images of the Soviet space program and the celebrated dogs are great, and worth the book by themselves. The writing and content is....ok. I wished for a more clear chronology to the writing, I got a little confused as it diverges and goes into tangential commentary. It's fine though. Some of the tie-ins to classic literary works lost me a bit. More first person accounts and factual information would have improved it for me, but it's a personal preference really. It's possible this is not that easy since everything was kept secret until 2002. For me, the most powerful parts of the book are the photographs of the dogs, and the chronological account of each of the flights at the end. Reading through the snapshot of data and thumbnail pics of the dogs on each flight, and how the dogs fared, was difficult to get through. It's hard to describe.

8 of 9 people found the following review helpful.
you'll love this wonderful little product
By J.Mas.
if you're a fan of quality printing and the aesthetic design of books, you'll love this wonderful little product. honestly, I haven't read the book cover to cover but the written content almost doesn't matter...the book is just so darn cool looking that I don't care. It's flush with color prints - there's an interesting image on nearly every page. it's a treasure of a book. permanent coffee table resident.

5 of 5 people found the following review helpful.
It is beautifully produced in hard cover format and is loaded with ...
By Dana Spiardi
This is a fascinating and well-written book about the brave dogs (Muttnicks!) who helped further the development of the space program. It is beautifully produced in hard cover format and is loaded with excellent, captioned photos of the dogs and the memorabilia that elevated them to "pop star" status in the Soviet Union. I've already sent several copies to friends who love dogs, and those who are interested in the history of space exploration. I love this book!

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Senin, 22 Juli 2013

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With 'Hoi', you'll learn to express your feelings and opinions, shop and meet people - all in Swiss German. You'll find the formulations you need to enjoy Swiss social life or engage in sports and outdoor activities. And you'll discover lots of handy phrases for small talk, eating out, making telephone calls, getting and giving help in an emergency, and other day-to-day language needs. 'Hoi' includes over 2000 words and phrases. They're derived primarily from the dialect spoken in the Zurich region, which is understood throughout the Swiss German speaking part of the country. 'Hoi' is chock-full of encouragement for you to get a grip on the expressions you'll need if you're to enjoy your time in Switzerland and feel at home here. 'Hoi' includes an English to Swiss German and a Swiss German to English dictionary.

  • Sales Rank: #1129965 in Books
  • Published on: 2005
  • Original language: English, Swiss German
  • Number of items: 1
  • Dimensions: 8.27" h x .51" w x 5.83" l, .55 pounds
  • Binding: Paperback
  • 168 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Useful and well written.
By Andrew P Cox
Hoi contains useful phrases as to getting around and expressing oneself to the Swiss. It also describes the different uses of Swiss German and its own secrets. I have found this book very useful and easy to use. I would highly recommend it and Swiss German phrasebooks are very scarce!

2 of 2 people found the following review helpful.
great find for a rare subject
By Evan A. Ash
This book is gret for my wife to conect with the language of her heritage, with modern content to help...

0 of 0 people found the following review helpful.
Great information, terrible Kindle formatting
By anonymous
Great information, but terrible format (Kindle version). Many sentences lack spacing between the words, and it is not compatible with the Macbook Kindle app. Neither can it be viewed in landscape orientation on the iPhone app. Hoping to find a hard copy, but if not I might just purchase the version available in iBooks. Very disappointing...

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Selasa, 16 Juli 2013

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  • Original language: French
  • Number of items: 1
  • Dimensions: 7.56" h x 4.53" w x 7.56" l,
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Senin, 08 Juli 2013

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Curriculum, Syllabus Design and Equity: A Primer and ModelFrom Routledge

Curriculum scholars and teachers working for social justice and equity have been caught up in acrimonious and polarizing political debates over content, ideology, and disciplinary knowledge. At the forefront in cutting through these debates and addressing the practical questions involved, this book is distinctive in looking to the technical form of the curriculum rather than its content for solutions. The editors and contributors, all leading international scholars, advance a unified, principled approach to the design of curriculum and syllabus documents that aims for high quality/high equity educational outcomes and enhances teacher professionalism with appropriate system prescription.

Stressing local curriculum development capacity and teacher professional responses to specific community and student contexts, this useful, practical primer introduces and unpacks definitions of curriculum, syllabus, the school subject, and informed professionalism; presents key principles of design; discusses a range of approaches; and offers clear, realistic guidelines for the tasks of writing curriculum documents and designing official syllabi and professional development programs at system and school levels. Providing a foundational structure for syllabus design work, Curriculum, Syllabus Design, and Equity is relevant for teachers, teacher educators, and curriculum policy workers everywhere who are engaged in the real work of curriculum writing and implementation.

 

  • Published on: 2012-08-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .50" l, .84 pounds
  • Binding: Hardcover
  • 180 pages

About the Author

Allan Luke is Research Professor in the Faculty of Education at the Queensland University of Technology, Brisbane, Australia.

Annette Woods is Senior Lecturer in the Faculty of Education at the Queensland University of Technology in Brisbane, Australia.

Katie Weir is Senior Lecturer at Griffith University’s Gold Coast campus in Queensland, Australia.

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  • Sales Rank: #2425531 in eBooks
  • Published on: 2011-08-14
  • Released on: 2011-08-14
  • Format: Kindle eBook

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1 of 3 people found the following review helpful.
goodtime read
By Eduard Thorsgothi
Good read. I enjoyed every bit of it.

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  • Sales Rank: #5575362 in Books
  • Binding: Hardcover

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Borderlands - La Frontera: The New Mestiza (English and Spanish Edition), by Gloria Anzaldua

autobiography, bilingual Spanish/English

  • Sales Rank: #968600 in Books
  • Brand: Brand: Aunt Lute Books
  • Published on: 1987-08
  • Original language: English, Spanish
  • Number of items: 1
  • Binding: Paperback
  • 190 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Anzaldua is a self-proclaimed borderland beinga Chicana who lives close to the border between Mexico and Texas, who shares several cultures and uses a mixture of languages. With exceptional insight, she creates a mosaic of the marginal person: a person, like herself, who exists in a state of transition, of ambivalence, of conflict; someone who is infused with many cultures yet cannot claim a single one wholly for herself. Her journal is written in earth tones, like an Aztec design, tones that are both engaging and striking. Weaving prose with poetry, Mexican-Indian history with psychology, mythology with philosophy, the author pulls together the frazzled edges of Chicano culture and of her sense of self. Anzaldua is a rebellious and willful talent who recognizes that life on the border"life in the shadows"is vital territory for both literature and civilization.
Copyright 1987 Reed Business Information, Inc.

From Library Journal
Anzaldua, a Chicana native of Texas, explores in prose and poetry the murky, precarious existence of those living on the frontier between cultures and languages. Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues. Andrea Caron Kempf, Johnson Cty. Community Coll. Lib., Overland Park, Kan.
Copyright 1987 Reed Business Information, Inc.

Review
Antigua, Mi Diosa
Cagado Abismo, Quiero Saber
Cancion De La Diosa De La Noche
The Cannibal's Cancion
Cervicide
Cihuatlyotl, Woman Alone
Companera, Cuando Amabamos
Corner Of 50th St, And Fifth Ave
Creature Of Darkness
Cultures
Cuyamaca
Don't Give In, Chicanita
El Sonavabitche
En El Nombre De Todas Las Madres Que Han Perdido
En Mi Corazon Se Incuba
Holy Relics
Horse
I Had To Go Down
Immaculate, Inviolate: Como Ella
Interface
La Curandera
Letting Go
Mar De Repollos
Martiz Sin Tumba O
Mujer Cacto
My Black Angelos
No Se Raje, Chicanita
Nopalitos
Poets Have Strange Eating Habits
A Sea Of Cabbages
Sobre Piedras Con Lagartijos
Sus Plumas El Viento
That Dark Shining Thing
To Live In The Borderlands Means You
We Call Them Greasers
White-wing Season
Yo No Fui, Fue Tete
-- Table of Poems from Poem Finder®

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0 of 0 people found the following review helpful.
A WONDERFUL ASSORTMENT OF ANZALDUÁ’S PROSE AND POETRY
By Steven H Propp
Gloria Anzaldúa (1942-2004) also wrote/edited This Bridge Called My Back: Writings by Radical Women of Color, This Bridge We Call Home: Radical Visions for Transformation, Interviews/Entrevistas, Making Face, Making Soul/Haciendo Caras: Creative and Critical Perspectives by Feminists of Color, The Reader, etc.

She wrote in the Preface to this 1987 book, “The psychological borderlands, the sexual borderlands and the spiritual borderlands are not particular to the Southwest. In fact, the borderlands are physically present wherever two or more cultures edge each other, where people of different races occupy the same territory, where under, lower, middle and upper classes touch, where the space between two individuals shrinks with intimacy. I am a border woman. I grew up between two cultures, the Mexican (with a heavy Indian influence) and the Anglo (as a member of a colonized people in our own territory). I have been straddling that… border, and others, all my life. It’s not a comfortable territory to live in, this place of contradictions. Hatred, anger, and exploitation are the prominent features of this landscape…

“This book, then, speaks of my existence. My preoccupations with the inner life of the Self, and with the struggle of the Self amidst adversity and violation; with the confluence of primordial images; with the unique positionings consciousness takes at these confluent streams, and with my almost instinctive urge to communicate, to speak, to write about life on the borders, life in the shadows. Books saved my sanity, knowledge opened the locked places in me and taught me how to survive and then how to soar… and words, my passion for the daily struggle to render them concrete in the world and on paper, to render them flesh, keeps me alive. The switching of ‘codes’ in this book from English to Castillian Spanish to the North Mexican dialect to Tex-Mex to a sprinkling of Nahuatl to a mixture of all of these, reflects my language, a new language---the language of the Borderlands. There, at the juncture of cultures, languages cross-pollinate and are revitalized; they die and are born.”

She observes, “Culture forms our beliefs. We perceive the version of reality that it communicates. Dominant paradigms, predefined concepts that exist as unquestionable, unchallengeable, are transmitted to us through the culture. Culture is made by those in power---men. Males make the rules and laws; women transmit them… The culture expects women to show greater acceptance of, and commitment to, the value system than men. The culture and the Church insist that women are subservient to males… For a woman of my culture there used to be only three directions she could turn: to the Church as a nun, to the streets as a prostitute, or to the home as a mother. Today some of us have a fourth choice: entering the world by way of education and career and becoming self-autonomous persons. A very few of us.” (Pg. 16-17)

She suggests, “Today, la Virgen de Guadalupe is the single most potent religious, political and cultural image of the Chicanlo/mexicano. She, like my race, is a synthesis of the old world and the new, of the religion and culture of the two races in our psyche, the conquerors and the conquered. She is the symbol of the mestizo true to his or her Indian values… Because Guadalupe took upon herself the psychological and physical devastation of the conquered and oppressed indio, she is our spiritual, political and psychological symbol… Guadalupe unites people of different races, religions, languages: Chicano Protestants, American Indians and whites…” (Pg. 30)

She explains, “So, if you really want to hurt me, talk badly about my language. Ethnic identity is twin skin to linguistic identity---I am my language. Until I can take pride in my language, I cannot take pride in myself. Until I can accept as legitimate Chicano Texas Spanish, Tex-Mes and all the other languages I speak, I cannot accept the legitimacy of myself. Until I am free to write bilingually and to switch codes without having always to translate while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate. I will no longer be made to feel ashamed of existing. I will have my voice; Indian, Spanish, white. I will have my serpent’s tongue---my woman’s voice, my sexual voice, my poet’s voice. I will overcome the tradition of silence.” (Pg. 59)

She states, “The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice which the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body---flesh and bone---and from the Earth’s body---stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices.” (Pg. 75)

This book contains some of Anzaldúa’s most pointed and passionate writing. It will be great interest to those who already love her writings, or as an excellent introduction to her for those who don’t.

0 of 0 people found the following review helpful.
A must-read for specialists in Spanish and Latin American Studies
By Dr. Christopher M. Minio
This is a must-read for students of and experts in Spanish and Latin American Studies. I used it as a primary source in my doctoral dissertation in the field.

0 of 0 people found the following review helpful.
love
By Elise
surprise autograph by the author! love it

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[Q986.Ebook] Free PDF Edgar Payne The Scenic Journey, by Scott Shields, Lisa Peters, Peter Hassrick, Jean Stern, Pat Trenton

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Edgar Payne The Scenic Journey, by Scott Shields, Lisa Peters, Peter Hassrick, Jean Stern, Pat Trenton

Edgar Payne The Scenic Journey, by Scott Shields, Lisa Peters, Peter Hassrick, Jean Stern, Pat Trenton



Edgar Payne The Scenic Journey, by Scott Shields, Lisa Peters, Peter Hassrick, Jean Stern, Pat Trenton

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Edgar Payne The Scenic Journey, by Scott Shields, Lisa Peters, Peter Hassrick, Jean Stern, Pat Trenton

One of the most gifted of the historic California plein-air painters, Edgar Alwin Payne (1883-1947) utilized the animated brushwork, vibrant palette, and shimmering light of Impressionism, but his powerful imagery was unique among artists of his generation. While his contemporaries favored a quieter, more idyllic representation of the natural landscape, Payne was devoted to subjects of rugged beauty. Largely self-taught, he found inspiration and instruction in nature itself. His majestic, vital landscapes, informed by his reverence for the natural world, are imbued with an internal force and an active dynamism.
An avid traveler, Payne was among the first painters to capture the vigor of the Sierra Nevada, and his travels through the Southwest resulted in equally magnificent depictions of the desert. In Europe he rendered the towering peaks of the Alps and the colorful harbors of France and Italy. His unending quest to convey the ""unspeakably sublime"" in his landscapes won him widespread acclaim-one prominent critic called him a ""poet who sings in colors.""
Released in conjunction with the traveling exhibition organized by the Pasadena Museum of California Art, Edgar Payne: The Scenic Journey presents more than 125 reproductions of Payne's paintings, drawings, and decorative arts, as well as rarely seen photographs from the artist's travels and selections from his personal collection of compositional studies.
Essays by Peter H. Hassrick, Lisa N. Peters, Scott A. Shields, Jean Stern, and Patricia Trenton trace Payne's development as he traveled the world, discovering magnificence in diverse settings ranging from the California coast, the Sierra Nevada, and the stark Southwest desert to the Swiss Alps and the harbors and waterways of Europe. A richly researched chronology by Shields presents the biographical influences that shaped Payne's illustrious career.

  • Sales Rank: #234855 in Books
  • Published on: 2012-02-14
  • Original language: English
  • Dimensions: 12.20" h x 1.20" w x 10.90" l, 5.44 pounds
  • Binding: Hardcover
  • 272 pages
Features
  • illustrations
  • bibliography
  • index

From the Inside Flap
One of the most gifted of the historic California plein-air painters, Edgar Alwin Payne (1883-1947) utilized the animated brushwork, vibrant palette, and shimmering light of Impressionism, but his powerful imagery was unique among artists of his generation. While his contemporaries favored a quieter, more idyllic representation of the natural landscape, Payne was devoted to subjects of rugged beauty. Largely self-taught, he found inspiration and instruction in nature itself. His majestic, vital landscapes, informed by his reverence for the natural world, are imbued with an internal force and an active dynamism. An avid traveler, Payne was among the first painters to capture the vigor of the Sierra Nevada, and his travels through the Southwest resulted in equally magnificent depictions of the desert. In Europe he rendered the towering peaks of the Alps and the colorful harbors of France and Italy. His unending quest to convey the "unspeakably sublime" in his landscapes won him widespread acclaim-one prominent critic called him a "poet who sings in colors." Released in conjunction with the traveling exhibition organized by the Pasadena Museum of California Art, Edgar Payne: The Scenic Journey presents more than 125 reproductions of Payne's paintings, drawings, and decorative arts, as well as rarely seen photographs from the artist's travels and selections from his personal collection of compositional studies. Essays by Peter H. Hassrick, Lisa N. Peters, Scott A. Shields, Jean Stern, and Patricia Trenton trace Payne's development as he traveled the world, discovering magnificence in diverse settings ranging from the California coast, the Sierra Nevada, and the stark Southwest desert to the Swiss Alps and the harbors and waterways of Europe. A richly researched chronology by Shields presents the biographical influences that shaped Payne's illustrious career.

About the Author
Scott A. Shields, PhD, Associate Director and Chief Curator of the Crocker Art Museum in Sacramento, California, is also the author of Edwin Deakin: California Painter of the Picturesque.

Most helpful customer reviews

35 of 36 people found the following review helpful.
Sailing the sea of "art" books...
By Basquiat
OK, so I have been burned by blindly ordering books on artists in the past...Because let's be honest, you don't buy a $50 book for the words. And many end up being mostly that.
I'm writing this, my first book review, because I want you to know that this book is top notch and beautiful, full of full page pieces. It is in the top 5 of my whole library...
If you are in the studio, and need a quick pick me up, this is one to grab... cheers!

26 of 26 people found the following review helpful.
OUTSTANDING BOOK!
By Skysoldier
I have been an Edgar Payne enthusiast ever since art school and that was decades ago. This book defines what so many feel and think of his works. And for the purchase price, not only do you get a great biography of the man but also full color and full page illustrations. I own an Edgar Payne drawing and if I had the money available I'd also have an original Edgar Payne painting hanging in my home. This book is well worth the money and to me Payne defines what Southern California landscape painting is and should be!
Enough with this modernist attitude of art for art's sake and I agree with Payne on that subject wholeheartedly! BUY THE BOOK!

10 of 10 people found the following review helpful.
praise for Edgar Payne catalog
By Charles S. Pyle
Thiss book is a must for fans of Edgar Payne. One of the few museum catalogs where the color and values are remarkably true to the art, the scholarship, and the printing quality throughout, are a joy. Of course, the best is to catch the show in one of its museum venues, but, this wonderful book will sustain long after the paintings have returned to their (lucky) respective owners.

See all 36 customer reviews...

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[S286.Ebook] Download Half Broke Horses: A True-Life Novel, by Jeannette Walls

Download Half Broke Horses: A True-Life Novel, by Jeannette Walls

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Half Broke Horses: A True-Life Novel, by Jeannette Walls

"Those old cows knew trouble was coming before we did."

So begins the story of Lily Casey Smith, Jeannette Walls’s no-nonsense, resourceful, and spectacularly compelling grandmother. By age six, Lily was helping her father break horses. At fifteen, she left home to teach in a frontier town—riding five hundred miles on her pony, alone, to get to her job. She learned to drive a car and fly a plane. And, with her husband, Jim, she ran a vast ranch in Arizona. She raised two children, one of whom is Jeannette’s memorable mother, Rosemary Smith Walls, unforgettably portrayed in The Glass Castle.

Lily survived tornadoes, droughts, floods, the Great Depression, and the most heartbreaking personal tragedy. She bristled at prejudice of all kinds—against women, Native Americans, and anyone else who didn’t fit the mold. Rosemary Smith Walls always told Jeannette that she was like her grandmother, and in this true-life novel, Jeannette Walls channels that kindred spirit. Half Broke Horses is Laura Ingalls Wilder for adults, as riveting and dramatic as Isak Dinesen’s Out of Africa or Beryl Markham’s West with the Night. Destined to become a classic, it will transfix readers everywhere.

  • Sales Rank: #6678 in Books
  • Published on: 2010-09-07
  • Released on: 2010-09-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.25" l, .55 pounds
  • Binding: Paperback
  • 272 pages

From Publishers Weekly
For the first 10 years of her life, Lily Casey Smith, the narrator of this true-life novel by her granddaughter, Walls, lived in a dirt dugout in west Texas. Walls, whose megaselling memoir, The Glass Castle, recalled her own upbringing, writes in what she recalls as Lily's plainspoken voice, whose recital provides plenty of drama and suspense as she ricochets from one challenge to another. Having been educated in fits and starts because of her parents' penury, Lily becomes a teacher at age 15 in a remote frontier town she reaches after a solo 28-day ride. Marriage to a bigamist almost saps her spirit, but later she weds a rancher with whom she shares two children and a strain of plucky resilience. (They sell bootleg liquor during Prohibition, hiding the bottles under a baby's crib.) Lily is a spirited heroine, fiercely outspoken against hypocrisy and prejudice, a rodeo rider and fearless breaker of horses, and a ruthless poker player. Assailed by flash floods, tornados and droughts, Lily never gets far from hardscrabble drudgery in several states—New Mexico, Arizona, Illinois—but hers is one of those heartwarming stories about indomitable women that will always find an audience. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Originally conceived as a biography based on family interviews and historical research, Walls found herself filling in too many blanks for Half Broke Horses to remain a work of nonfiction, so she assumed Smith's indomitable voice and set out to write a novelistic recreation of Smith's unconventional life. Most critics were captivated by Smith's earthy, straightforward style, despite the steady stream of repetitive axioms intermingled with her antics. Only the Washington Post seemed thoroughly disappointed, lamenting that "this book is no Glass Castle." Though Smith, "a gumption-packin' ranch gal whose pluck never quits" (New York Times), may not rise to the intensity of Walls's troubled, nomadic parents, Half Broke Horses nevertheless tells the heartwarming story of an irrepressible woman who carved her own destiny.

Review
“Jeannette Walls . . . once again proves that the combination of gifted storyteller with great stories is both rare and intoxicating."--The Cleveland Plain Dealer

“[An] eloquent tribute to a pragmatic heroine . . . A powerhouse—fast-moving, fearless and impossible to forget.”—Michelle Green, People

[Jeannette Walls is] the third generation of a line of indomitable women whose paths she has inscribed on the permanent record, enriching the common legend of our American past.”—Liesl Schillinger, New York Times Book Review (cover review)

Most helpful customer reviews

472 of 506 people found the following review helpful.
Everything Good is Worth Waiting For!
By Sylviastel
Jeannette Walls struck gold when she published her personal memoir, "The Glass Castle, a few years back. Her own unusual upbringing touched a spot in people's hearts and minds. I highly recommend the book for schools especially for teens. When you look at Jeannette Walls, you see a sophisticated and intelligent woman who looked like she came out of private boarding schools. The reality is that Jeannette came from poverty where her parents' roaming lifestyle led to them even being homeless on the streets.

In this book, Jeannette wants to write about her mother, Rosemary Smith Walls, but ends up writing about her mother's mother, Lily Casey Smith, who herself was quite a character. Her maternal grandmother was born in 1901 in the Southwest. Like her descendents such as Jeannette and Rosemary, she defied conventional living. She became a school teacher during World War I in Arizona and living in Chicago where she worked as a servant and went to school.

Jeannette writes lovingly about her grandmother and brings her character to life. Lily's life was no picnic and her early years on the ranch with her book-smart father, mother, and siblings-Buster and Helen provide an interesting portrait of life in the American Southwest before World War I.

It's interesting since Jeannette Walls last surprised us with her memoirs to note that she is no longer a social or gossip columnist in New York City's Upper West Side. She and her husband have traded their city lives for a country life in Northern Virginia complete with their own set of beloved horses.

149 of 162 people found the following review helpful.
Just Read It ....
By rebelmomof2
This is not as good as her previous book, "The Glass Castles," which I could not put down. This book is a "true-life novel" based on Walls' grandmother, her mother's mother. And it is a wonderful book. Lily Casey Smith was no lily-livered woman who fainted at the slightest urge (Lily's mom did do that on occasion). Lily was the oldest child in her family and by the age of 6 she was helping her father break in horses, a no easy feat for a child, let alone a grown man. Lily was a woman in every sense of the word ... practical, no-nonsense, hard-working and honest. Even though Walls is writing a novel based on her grandmother's life, Walls' words bring the woman to life in every word of the page.

This is a different writing style from Walls' memoir, where it was a thoughtful prose designed to get the reader to read more into a childhood that was hard and filled with parents who couldn't stay put in one place nor could they raise their children. The children raised themselves. In this book, Lily was written to be a tough woman who had faced desperate times ... such as hiding bootleg liquor underneath her son's crib. She did what she could to make ends meet. Even her marriage to Big Jim was practical though I sense through Walls' writing that there was love and mutual respect between the two. Lily is the example of feminism in its best ... she pulled no punches into doing anything. She didn't shy away from speaking her mind even though it did cost her job twice.

Walls has a talent where people and their distant stories just come to life. For awhile there, I was so interested in this novel that I kept forgetting that parts of it is made up since Walls admitted that she never talked with her grandmother so she was filling in the blanks. Lily Casey Smith comes alive in this book and what a wonderful tribute to a woman who is part of Jeannette Walls' heritage. What a rich heritage that is too.

7/25/09

283 of 328 people found the following review helpful.
Half Truth Stories
By Marcy Casterline O'Rourke
Jeannette Walls new book "Half Broke Horses" is an enthralling, hard to put down book, written by a brilliant writer. But the book suffers from that most modern of flaws, an inability and actually even a positive embargo on emotions and consequent moral judgments or shadings.

"Half Broke Horses" with Lily, its heroine, a real life pioneer woman, could be the next "I Remember Mama" or "A Tree Grows in Brooklyn". But I'm sure Walls and all other modern writers would rather die than be compared to either of those, which would surely be regarded by modern critics as overly sentimental.

So, what we're left with is a book that is a great yarn, with fascinating details about the American Southwest at the turn of the century, told by an immensely talented and skilled writer, that lacks one thing: the pulse of human feeling. There's plenty of sweat, and that makes the characters very admirable, but no blood, and that makes them a little dry and depressing. Events that would scar any normal human heart happen without even drawing a drop of blood or tears or sighs.

And yet the events of her life show that Lily did many things that required courage, strength, love, and dedication, and that heartbreak touched her life more than once. But not only does the author not dwell upon Lily's feelings and the emotions that must have kept her going or threatened to sink her, they are never mentioned. The result is the book's tone becomes like listening to someone suffering from low level depression drone on about their life. Arid, dry, a downer.

The author seems to admire Lily's lack of feeling, as if the best human beings can aspire to is to ignore their emotions. And that may be how Lily got through her daunting and difficult life. But since her emotional distance from herself and others may have contributed to her troubles, it also distances us from her story, which starts to seem like a long series of half truths, with many of the good parts, the meaty parts left out.

There are hints that Lily's Irish father has a contentious nature and is always ready to fly off the handle and do something stupid, inconsiderate or violent. And the way Lily keeps getting fired may be from a similar disposition. A temper like that certainly is indicative of some passion in her makeup. But, she acknowledges it only in regards to minor incidents in her life.

But, even hampered by the modern critical sensibility, which cannot seem to stomach the sturm and drang of real life, Walls' writing is so magnificent, she's such a natural storyteller that you forgive her everything.

My advice is don't miss this book. You'll enjoy it despite it's drawbacks.

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