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autobiography, bilingual Spanish/English
- Sales Rank: #968600 in Books
- Brand: Brand: Aunt Lute Books
- Published on: 1987-08
- Original language: English, Spanish
- Number of items: 1
- Binding: Paperback
- 190 pages
- Used Book in Good Condition
From Publishers Weekly
Anzaldua is a self-proclaimed borderland beinga Chicana who lives close to the border between Mexico and Texas, who shares several cultures and uses a mixture of languages. With exceptional insight, she creates a mosaic of the marginal person: a person, like herself, who exists in a state of transition, of ambivalence, of conflict; someone who is infused with many cultures yet cannot claim a single one wholly for herself. Her journal is written in earth tones, like an Aztec design, tones that are both engaging and striking. Weaving prose with poetry, Mexican-Indian history with psychology, mythology with philosophy, the author pulls together the frazzled edges of Chicano culture and of her sense of self. Anzaldua is a rebellious and willful talent who recognizes that life on the border"life in the shadows"is vital territory for both literature and civilization.
Copyright 1987 Reed Business Information, Inc.
From Library Journal
Anzaldua, a Chicana native of Texas, explores in prose and poetry the murky, precarious existence of those living on the frontier between cultures and languages. Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues. Andrea Caron Kempf, Johnson Cty. Community Coll. Lib., Overland Park, Kan.
Copyright 1987 Reed Business Information, Inc.
Review
Antigua, Mi Diosa
Cagado Abismo, Quiero Saber
Cancion De La Diosa De La Noche
The Cannibal's Cancion
Cervicide
Cihuatlyotl, Woman Alone
Companera, Cuando Amabamos
Corner Of 50th St, And Fifth Ave
Creature Of Darkness
Cultures
Cuyamaca
Don't Give In, Chicanita
El Sonavabitche
En El Nombre De Todas Las Madres Que Han Perdido
En Mi Corazon Se Incuba
Holy Relics
Horse
I Had To Go Down
Immaculate, Inviolate: Como Ella
Interface
La Curandera
Letting Go
Mar De Repollos
Martiz Sin Tumba O
Mujer Cacto
My Black Angelos
No Se Raje, Chicanita
Nopalitos
Poets Have Strange Eating Habits
A Sea Of Cabbages
Sobre Piedras Con Lagartijos
Sus Plumas El Viento
That Dark Shining Thing
To Live In The Borderlands Means You
We Call Them Greasers
White-wing Season
Yo No Fui, Fue Tete
-- Table of Poems from Poem Finder®
Most helpful customer reviews
0 of 0 people found the following review helpful.
A WONDERFUL ASSORTMENT OF ANZALDUÁ’S PROSE AND POETRY
By Steven H Propp
Gloria Anzaldúa (1942-2004) also wrote/edited This Bridge Called My Back: Writings by Radical Women of Color, This Bridge We Call Home: Radical Visions for Transformation, Interviews/Entrevistas, Making Face, Making Soul/Haciendo Caras: Creative and Critical Perspectives by Feminists of Color, The Reader, etc.
She wrote in the Preface to this 1987 book, “The psychological borderlands, the sexual borderlands and the spiritual borderlands are not particular to the Southwest. In fact, the borderlands are physically present wherever two or more cultures edge each other, where people of different races occupy the same territory, where under, lower, middle and upper classes touch, where the space between two individuals shrinks with intimacy. I am a border woman. I grew up between two cultures, the Mexican (with a heavy Indian influence) and the Anglo (as a member of a colonized people in our own territory). I have been straddling that… border, and others, all my life. It’s not a comfortable territory to live in, this place of contradictions. Hatred, anger, and exploitation are the prominent features of this landscape…
“This book, then, speaks of my existence. My preoccupations with the inner life of the Self, and with the struggle of the Self amidst adversity and violation; with the confluence of primordial images; with the unique positionings consciousness takes at these confluent streams, and with my almost instinctive urge to communicate, to speak, to write about life on the borders, life in the shadows. Books saved my sanity, knowledge opened the locked places in me and taught me how to survive and then how to soar… and words, my passion for the daily struggle to render them concrete in the world and on paper, to render them flesh, keeps me alive. The switching of ‘codes’ in this book from English to Castillian Spanish to the North Mexican dialect to Tex-Mex to a sprinkling of Nahuatl to a mixture of all of these, reflects my language, a new language---the language of the Borderlands. There, at the juncture of cultures, languages cross-pollinate and are revitalized; they die and are born.”
She observes, “Culture forms our beliefs. We perceive the version of reality that it communicates. Dominant paradigms, predefined concepts that exist as unquestionable, unchallengeable, are transmitted to us through the culture. Culture is made by those in power---men. Males make the rules and laws; women transmit them… The culture expects women to show greater acceptance of, and commitment to, the value system than men. The culture and the Church insist that women are subservient to males… For a woman of my culture there used to be only three directions she could turn: to the Church as a nun, to the streets as a prostitute, or to the home as a mother. Today some of us have a fourth choice: entering the world by way of education and career and becoming self-autonomous persons. A very few of us.” (Pg. 16-17)
She suggests, “Today, la Virgen de Guadalupe is the single most potent religious, political and cultural image of the Chicanlo/mexicano. She, like my race, is a synthesis of the old world and the new, of the religion and culture of the two races in our psyche, the conquerors and the conquered. She is the symbol of the mestizo true to his or her Indian values… Because Guadalupe took upon herself the psychological and physical devastation of the conquered and oppressed indio, she is our spiritual, political and psychological symbol… Guadalupe unites people of different races, religions, languages: Chicano Protestants, American Indians and whites…” (Pg. 30)
She explains, “So, if you really want to hurt me, talk badly about my language. Ethnic identity is twin skin to linguistic identity---I am my language. Until I can take pride in my language, I cannot take pride in myself. Until I can accept as legitimate Chicano Texas Spanish, Tex-Mes and all the other languages I speak, I cannot accept the legitimacy of myself. Until I am free to write bilingually and to switch codes without having always to translate while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate. I will no longer be made to feel ashamed of existing. I will have my voice; Indian, Spanish, white. I will have my serpent’s tongue---my woman’s voice, my sexual voice, my poet’s voice. I will overcome the tradition of silence.” (Pg. 59)
She states, “The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice which the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body---flesh and bone---and from the Earth’s body---stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices.” (Pg. 75)
This book contains some of Anzaldúa’s most pointed and passionate writing. It will be great interest to those who already love her writings, or as an excellent introduction to her for those who don’t.
0 of 0 people found the following review helpful.
A must-read for specialists in Spanish and Latin American Studies
By Dr. Christopher M. Minio
This is a must-read for students of and experts in Spanish and Latin American Studies. I used it as a primary source in my doctoral dissertation in the field.
0 of 0 people found the following review helpful.
love
By Elise
surprise autograph by the author! love it
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