[F146.Ebook] Download PDF Computer Ethics and Professional Responsibility, by Terrell Ward Bynum, Simon Rogerson

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Computer Ethics and Professional Responsibility, by Terrell Ward Bynum, Simon Rogerson

Download PDF Computer Ethics and Professional Responsibility, by Terrell Ward Bynum, Simon Rogerson

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This clear and accessible textbookand its associated website offer a state of the art introduction to the burgeoning field of computer ethics and professional responsibility.

• Includes discussion of hot topics such as the history of computing; the social context of computing; methods of ethical analysis; professional responsibility and codes of ethics; computer security, risks and liabilities; computer crime, viruses and hacking; data protection and privacy; intellectual property and the “open source” movement; global ethics and the internet
• Introduces key issues and concepts at the start of each section, and features classroom-tested study questions, and lists of useful websites and further reading
• Provides a wealth of relevant case studies, and an easy-to learn case-analysis technique
• Is accompanied by a website, offering sample student answers, additional study questions, example case analyses, and discussion forums
• Visit the website at www.southernct.edu/organizations/RCCS/Textbook

• Sales Rank: #1503710 in eBooks
• Published on: 2008-06-09
• Released on: 2008-06-09
• Format: Kindle eBook

Review
"Bynum and Rogerson succeed at the difficult task of putting together a lasting collection of papers for a cutting-edge field that changes direction every other month. The collection is essential for anyone doing advanced research on the ethical standards of computer professions. At the same time, the collection stands as an outstanding teaching text for most university courses." John Snapper, Illinois Institute of Technology

"This book includes significant pieces from members of the global computer ethics community. Among its strengths are the worked-out case studies for ethical analysis and a nice section on computer security. It is an ideal text for those teaching professional ethics." Frances S. Grodzinsky, Sacred Heart University

From the Back Cover
This clear and accessible textbookand its associated website offer a state-of-the-art introduction to the burgeoning field of computer ethics and professional responsibility.

Topics covered include the history of computer ethics; the social context of computing; methods of ethical analysis; professional responsibility and codes of ethics; computer security, risks, and liabilities; computer crime, viruses, and hacking; data protection and privacy; intellectual property and the “open source” movement; global ethics and the Internet.

Editorial introductions to each of the sections outline key issues and concepts in the field. The book is further enriched by a variety of classroom-tested case studies and study questions, as well as lists of useful websites and readings.

Visit the book’s website at www.southernct.edu/organizations/RCCS/Textbook

About the Author
Terrell Ward Bynum is Director of the Research Center on Computing & Society at Southern Connecticut State University. For 25 years, he was editor-in-chief of the scholarly journal Metaphilosophy. Among his many publications, he is co-editor, with James H. Moor, of The Digital Phoenix: How Computers are Changing Philosophy (Blackwell, 1998) and CyberPhilosophy: The Intersection of Philosophy and Computing (Blackwell, 2002).

Simon Rogerson is Director of the Centre for Computing and Social Responsibility and Professor of Computer Ethics at De Montfort University. He is a co-editor of the scholarly journal Information, Communication and Ethics in Society. Among other publications, he is the author of Ethical Aspects of Information Technology: Issues for Senior Executives (1998) and a co-author of Strategic Management Support Systems (1996).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good collection
By B. C Ladd
I am teaching Professional Practice in Computer Science and, as part of preparing for the course, I read several of the available texts. While I did not find anything compelling for the way I wanted to teach the course, I was impressed by Bynum's edited
collection. It covers a broad spectrum of ethics in the field and I was able to use it to help structure the class and individual lectures.

As with many collections, the papers/chapters vary in clarity and interest but overall this book serves as a good introduction to the foundations of computer and information system ethics (making the argument that the computer does add new, under-appreciated dimensions to classical ethics). The next time I teach the course I will be using an ethics textbook and Bynum's is right near the top when I consider what to adopt.

0 of 0 people found the following review helpful.
Five Stars
By oluwatosin
good

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[O244.Ebook] Ebook The Spot: Stories, by David Means

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The Spot is an old blacksmith shed in which three men tweeze apart the intricacies of a botched bank robbery.

The Spot is a park on the Hudson River, where two lovers sense their affair is about to come to an end.

The Spot is at the bottom of Niagara Falls, where the body of a young girl floats as if caught in the currents of her own tragic story.

The Spot is in the ear of a Manhattan madman plagued by a noisy upstairs neighbor .

The Spot is a suburban hospital room in which a young father confronts his son's potentially devastating diagnosis.

The Spot is a dusty encampment in Nebraska where a gang of inept radicals plot a revolution.

The Spot draws thirteen new stories together into a masterful collection that shows David Means at his finest: at once comically detached and wrenchingly affecting, expansive and concise, wildly inventive and firmly rooted in tradition. Means's work has earned him comparisons to Flannery O'Connor (London Review of Books), Alice Munro, Bob Dylan, Jack Kerouac (Newsday), Hemingway, Sherwood Anderson (Chicago Tribune/NPR), Denis Johnson (Entertainment Weekly), Poe, Chekhov, and Carver (Milwaukee Journal Sentinel), but the spot he has staked out in the American literary landscape is fully and originally his own.

• Sales Rank: #340717 in Books
• Published on: 2011-06-21
• Released on: 2011-06-21
• Original language: English
• Number of items: 1
• Dimensions: 8.24" h x .49" w x 5.48" l, .36 pounds
• Binding: Paperback
• 176 pages

From Publishers Weekly
Starred Review. A natural storyteller, Means (The Secret Goldfish) presents 13 nuanced tales of wanderlust and transgression. Hoboes around a campfire spin elaborate yarns in two of the richest stories, offering just enough confession to keep the others' interest: The Blade finds an improbable friendship between an old geezer and a young junkie, culminating in a requisite blade-to-the-throat story; while The Junction pursues a vagrant who begs food at a farmhouse that is strikingly similar to the home he grew up in. The American landscape is vividly sketched in these tales, traversed by the Bonnie-and-Clyde meets Charles Starkweather team of young bank robbers in Nebraska, and the manipulative con man of Oklahoma. Similarly, the title story details a jaunty pimp's shameless exploitation of a girl with a horrific past, culminating in a grim discovery at Niagara Falls. There's not an off note to be found in Means's prose, and he proves to be remarkably adept at locating the sublime in the unseemly. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In three previous collections, Means proved himself a master of the short form, earning comparisons to O'Connor and Carver for his tight, energetic sentences. The 13 luminous stories in his fourth collection are just as strong. Here Means articulates the impulsiveness of angst-driven loners, including the homeless who've lost their faith in others and drifters whose only means of survival is their tale, whether true or otherwise. In the title story, a pimp, schooled in the Bible and disguised as a Northern Michigan farmer, tells a client about a girl whose drowning was his fault, and whose father followed her body to Niagara Falls. A group of hoboes swap stories involving knives until one man's silence betrays his refusal to reveal the tale of revenge that brought him to this place. A man assuming the worst for his ailing son wraps up his son's old toys and arranges an early Christmas. Darkly comic and rich in language and drama, Means' cerebral tales are astute, amusing, and companionable. --Jonathan Fullmer

Review

“Means is more than a conventionally accomplished realistic story writer. As I've written before in these pages, his fiction sometimes skitters up to the borderline of legend . . . he can produce work that holds up even in comparison with his most gifted ancestors like Sherwood Anderson and Ernest Hemingway, employing some of the most sharp-edged and beautifully spare language of any writer of his generation. The stories in ‘The Spot' show him working at the top of his powers . . . With this new collection readers with a taste for high art in the short story will want to place him up there with writers such as Evan Connell, James Salter, and, from a slightly younger generation, Tobias Wolff and Richard Ford.” ―Alan Cheuse, The Chicago Tribune

“David Means revives the American short story in this quietly compelling collection about adulterous Manhattanites, violent train-yard drifters, pensive madmen, and concerned fathers. It's as if the works of Poe and Kerouac had been rewritten by Cheever.” ―Details

“Each story is a reminder of why people break, and an uncomfortable revelation that we are all closer to breaking than we think.” ―Esquire

“His book is dark, deep and dangerous. Here, the author's technical authority continues to astonish. He'll switch point of view midstory or examine the act of storytelling while telling a tale that you actually want to read. His most typical pieces, at once shadowy and insanely focused, feature bleak Midwestern violence: the crucifixion of a high-school boy, or the murder of a farmer by a hooker. Others bend time until it becomes as complex as the characters themselves . . . Virtuosic.” ―Leigh Newman, TimeOut New York

“The stories by Means (The Secret Goldfish, 2004, etc.) defy categorization. There are 15 of them in this slim volume, a couple as short as a (long) paragraph, yet they resist the tag of ‘minimalism.' Instead, they are dense with detail, character and theme, and they connect in some surprising ways that aren't immediately apparent. The stories within the stories, like the fiction of Means through which they are framed, often have an archetypal quality transcending the characters (many unnamed), as if something immutable in the human condition keeps repeating itself: ‘The story would end and then it would just keep going, the way this one does.' Though the author teaches at Vassar, these stories have a lot more punch and life than academic, creative-writing exercises.” ―Kirkus Reviews (starred review)

“In three previous collections, Means proved himself a master of the short form, earning comparisons to O'Connor and Carver for his tight, energetic sentences. The 13 luminous stories in his fourth collection are just as strong. Here Means articulates the impulsiveness of angst-driven loners, including the homeless who've lost their faith in others and drifters whose only means of survival is their tale, whether true or otherwise. In the title story, a pimp, schooled in the Bible and disguised as a Northern Michigan farmer, tells a client about a girl whose drowning was his fault, and whose father followed her body to Niagara Falls. A group of hoboes swap stories involving knives until one man's silence betrays his refusal to reveal the tale of revenge that brought him to this place. A man assuming the worst for his ailing son wraps up his son's old toys and arranges an early Christmas. Darkly comic and rich in language and drama, Means' cerebral tales are astute, amusing, and companionable.” ―Jonathan Fullmer, Booklist

“Every reader has a comfort zone. When an author breaks that boundary, the reader is forced to come to terms with the limits of their own adventurous nature. If it sounds as though David Means's newest collection of short stories, The Spot, forced me into my own literary panic room--if it sounds as though I'm fighting for some sense of ownership over these stories--well, it did, and I am. Means was put on earth to frustrate creative writing teachers and John Gardner evangelists: His characters don't change. A lot of his action happens in flashback. His violence borders on the grotesque. He can take or leave paragraphs as structural units of composition. And he rarely, if ever, allows for immersion into fiction's ‘vivid and continuous dream.' Yet to read The Spot is to understand that these rules were made to be broken--or, in Means's case, to be pistol whipped, dragged into a quarry, shot twice in the head, and set on fire.” ―The Rumpus

Most helpful customer reviews

5 of 5 people found the following review helpful.
Another good collection from David Means
By N. Johnson
The Spot is David Means's fourth collection of stories, and he continues to write strongly about men, vagrants, and small time charlatans with a subdued grace that is mature and skilled and interesting. His midwestern stories and rural New York stories are all very good. Two of three of his NYC stories seemed out of place (Knocking, River in Egypt), while his third NYC story (Reading Chekov), despite lacking the direct midwestern and rural tones, still came across, to me, very nicely. That said, David is a superb short story writer and this collection is very well written and was definitely worth the wait.

4 of 5 people found the following review helpful.
Intense, humane, and pitch perfect
By Mr. Books
David Means packs more in five pages than most writers do in five books, and nowhere is this sublime narrative economy more on display than in his new collection, The Spot. His stories track the sorrows of the empire wilderness, the anatomy of sudden violence, the retreat into self in the face of trauma. They're also entertaining, thoughtful, and heartbreaking. No one else writes like David Means, and any serious student of fiction should be familiar with his work.

0 of 0 people found the following review helpful.
Spot On
By Chris Lopez
David means latest collection (his 4th) of short stories, "The Spot," is spot on. I've been a fan of Mean's work for years and was exceedingly delighted when I learned that this new collection was coming out. Exceptional short story writers are rare indeed -- there's not the market for them that there is for novels -- but Means is one of the best working today. He packs more into a six page short story than most contemporary novelists can fit into 300+ pages. You know he's good, because his stories are the kind that you want to read again and again. I just finished "The Spot," and I've already begun reading it again from the beginning, plus I plan on returning to his earlier collections soon.

Being a native of Michigan my favorite stories are the ones that are about or at least reference the state, but they are all good. A stronger collection I have not read in some time.

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[U712.Ebook] Fee Download Pure of Heart: Book one of the Faoladh Series (Volume 1), by Danielle Parker

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It’s not easy being a werewolf. After claiming her first (and hopefully last) victim, Harper thinks she has it all figured out. Her job keeps her busy. Her family locks her up during the full moon. She’s even friends with the local vet who is always armed with tranquilizers. But her fragile grip on the situation can’t last. Not when newcomer Emerson moves into Harper’s small town and sets the wolf free. Now Harper must figure out what the wolf wants, and stop it before she ends up with more blood on her teeth.

• Sales Rank: #3141212 in Books
• Published on: 2015-08-15
• Original language: English
• Dimensions: 9.00" h x .78" w x 6.00" l,
• Binding: Paperback
• 342 pages

About the Author
Danielle Parker is a musician and lives in Boise, Idaho with her dog and her boyfriend. She has been writing and publishing short stories online since 2004. As a child she told her parents that when she grew up she was going to be an author. When she’s not writing she enjoys working on cars and riding motorcycles. Despite the rumors, she is not a werewolf.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Fourth time through - and it keeps getting better
By Amazon Customer
I just finished reading Pure of Heart... for the fourth time. Of course, it's the first time in the absolutely finished form. It took a lot longer this time than I expected. I had to stop several times when I got so upset at a character I started shouting at the book (like they could hear me). That happens to me with some of my favorite books, and it happened again here. But I'm finally done and finally putting up a review.

Short version (TL:DR): This is a wonderful book, Harper is funny and sarcastic, Emerson is smart and interesting, everyone is real and well developed. It's well plotted, moves along at the right pace and is an enjoyable read.

Now confession time: I know the author. I'm in her critique group. The first time I read this it wasn't as good. Lots of potential, but there were some problems. Second time I read it I was a beta reader (if you don't know, that's someone who reads a finished draft for an author and gives them feedback). I read the whole thing in 48 hours, staying up until 3am the first night and 1am the second to finish. Yes, I was tired at work the next day, but it was worth it. It was much better than the critique group had seen. Things we'd pointed out were fixed, other things improved and it was a smooth read. But there was a problem with the ending. I read some changes to the ending as she worked on it but I didn't read the whole thing again until it had returned from the editor and was formatted for publication. That was tough. More improvements had been made, which made it a good read, but my job at that point was to look for formatting errors. Which is hard when you are enjoying the book and rolling along. But I found a few, and we got them fixed.

And then came the big release. The book came out and I got a copy and... I didn't read it immediately. Sure I was busy, but that's not what held me up. Not sure what it was, but it took me several weeks before I started. Maybe I wanted to get some distance from the last read. It is so clean and so engaging now. I got to read it strictly for pleasure, and that's what I got. I'm still a little high from the ending, which is sweet, satisfying, and hopeful. There's plenty of potential for the series contained just in the last twenty pages. This is the origin story, now we get to build on that.

So that's my opinion, let me tell you some facts about the book (avoiding spoilers at all costs): It's written in third person with two major characters carrying the point of view. Harper is the first (although there is a prologue from her Uncle's point of view) and she's a bit of a mess. She's also smart, funny, witty, and deeply sarcastic. She's got some personal problems, and she's trying to deal with them, but they are a bit overwhelming. The biggest one: she's a werewolf, and there aren't any other werewolves around in the tiny town of Fincher, Montana to tell her how that works. Our other main character is Emerson. She's cute, smart, with rich parents, and trying desperately to be independent. She's moved to this tiny little town to take over her grandparent's bookstore now that they've died. When she and Harper meet, things get... complicated. Both of them are deep characters, with layers to their personalities and well thought out backgrounds.

The people they meet and interact with are just as interesting. Grady, Harper's uncle, caring for her after her parents died. Cooper, her cousin, in that awkward stage between childhood and adolescence. AJ, the local vet, one of the few who knows Harper's secret. Logan, Harper's best friend, feeling their relationship change as they grow into their adult roles in life. Oscar, Emerson's brother, helping get her settled and trying to protect her. Holt, the local playboy, thinking he knows what every girl wants and it's him.

I can't say much about the plot without giving things away, but I enjoyed it. It sucked me in and kept me reading. I guess that's the best recommendation I can give. I liked it. It kept me reading.

3 of 3 people found the following review helpful.
Awesome Read
By Rachel S
This is a fantastic debut novel by a talented author. I enjoy supernatural novels and urban fantasy and Pure of Heart definitely satisfied both cravings.

The small Alaskan town of Fincher is the perfect backdrop for a werewolf love story. Harper (our neighborhood werewolf) and Emerson (our resident book nerd) and their cohort of friends and family are well-developed; each new chapter brought a new revelation that kept me interested and curious to see what came next. The dialogue, especially between our werewolf and her veterinarian, was snappy and fun and made me laugh out loud more than once on the airplane. The story moved along at a good pace, introducing new problems for our poor, unsuspecting protagonists that led to a climax that was intense and heart-rending (I got something in my eye, I wasn't crying). The story's conclusion promised a sequel that would answer lingering questions and bring on even more delightful conflict. Excited for book two!

2 of 2 people found the following review helpful.
Werewolf. Girlfriend.
By Missy
Werewolf girlfriend. And if that doesn't grab you, then you're weird. Because werewolf girlfriend. The characters, despite having a few supernatural tendencies, feel like real people which is a nice change from the one-dimensional characters you usually see in this genre. The humor was nice and sarcastic, just the way I like it, and Emerson is my favorite. Also, Harper and I know what's up about horses. We know. 10/10, would read again.

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• Binding: Paperback

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• Sales Rank: #4183963 in Books
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• Sales Rank: #3828297 in Books
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